2017
Katelyn Crawford, “Transient Painters, Traveling Canvases: Portraiture and Mobility in the British Atlantic, 1750-1780”
Alicia Dissinger, “Cypro-Archaic Bird Iconography: Types, Uses, and Meanings”
Elizabeth Dwyer, “Portraits and Visions in Renaissance Veneto: Titian, Moroni, Veronese”
Catherine Hundley, “The Round Church Movement in Twelfth-Century England: Crusaders, Pilgrims, and the Holy Sepulchre”
Corey Piper, “Animal Pursuits: Hunting and the Visual Arts in Nineteenth-Century America”
Camille Shamble, “Growing Children Out of Doors: California's Open-Air Schools and Children's Health, 1907-1917”
Thomas Winters, “Honthorst's Women: Art, Gender, and the Virtuosi”
2018
Ben Gorham, “Threads in the Urban Fabric: Patterns of Non-Elite Housing at Pompeii”
Murad Mumtaz, “Objects of Devotion: Representations of Muslim Saints in Early Modern South Asian Painting, 1500-1700”
Chris Oliver, “Civic Visions: The Panorama and Popular Amusement in American Art and Society, 1845-1870”
Claire Weiss, “The Construction of Sidewalks as Indicator of Social and Economic Interaction in Ancient Roman Cities”
2019
Eric Hupe, “Pitture di Luce: The Franciscan Theology of Light and Venetian Painting of the Late-Fifteenth Century”
Sean Tennant, “Space Syntax Analysis and the Domestic Architecture of the Roman West”
2020
Nenette Arroyo,“Loca Sancta in the New World: The Creation of Sacred Space in the Spanish California Missions, 1769-1823”
Alicia Caticha, “Étienne-Maurice Falconet and the Matter of Sculpture: Marble, Porcelain, and Sugar in Eighteenth-Century Paris”
Justin Greenlee, “Bessarion's World: Art, Science, and Crusade”
Erik Harrington, “Natural Relaxation: Defining Dutch Pleasures and Pictorial Conventions in the Seventeenth-Century Winter Scene”
Liz Doe Stone, “Cosmopolitan Facture: John Singer Sargent and Anders Zorn, 1871-1915”