The World Between: Egypt and Nubia in Africa
August 30, 2025 - June 14, 2026
All Day
The Fralin Museum of Art

Stele of the Nubian soldier Nenu. Egyptian (said to be from el-Rizeiqat), First Intermediate Period, dynasty 9–10, about 2100–2040 B.C. Painted limestone, 45 x 37.1 x 6.7 cm, 14.06 kg (17 11/16 x 14 5/8 x 2 5/8 in., 31 lb.). Museum of Fine Arts, Boston. Emily Esther Sears Fund, 03.1848. Photograph © 2025 Museum of Fine Arts, Boston
The World Between: Egypt and Nubia in Africa
Curated by Anastasia Dakouri-Hild, Professor of Art History
Political boundaries are sharp, but cultures tend to blend into each other. That 'in-betweenness' is rarely contained by political frontiers. What kind of social and cultural worlds connected Egypt with its southern neighbors? And what was Egypt's relationship with other African cultures of its time, like Nubia (in present day Sudan)? While contemporary scholarship acknowledges the indigenous origin of Egyptian culture, its story is still rarely told from an African perspective. How did the earliest Egyptian and Nubian cultures relate to each other? In ancient Egypt, Nubians were portrayed as wretched enemies, bound captives, or soldiers. To what extent were their lives defined by Egyptian ideas and colonization? What societal roles did they have and how did their cultural practices impact Egyptian ones? In later times, the Kushite and Meroitic rulers of Nubia revitalized pharaonic culture. Their adoption of Egyptian symbols and beliefs is frequently examined through the lens of 'Egyptianization.' What was the nature of this borrowing, and how were Egyptian customs blended with indigenous and other traditions? This exhibition aims to showcase the deep cultural embeddedness of ancient Egypt in Africa, beyond merely acknowledging its geographical position on the African continent. What did Egypt owe to other African cultures in Nubia and, inversely, what did it bequeath to them? The exhibition demonstrates the complex interaction of different cultures in Egypt and Nubia, from prehistory (ca. 3800 BCE) through the Post-Meroitic era (641 CE).
The Curator would like to acknowledge contributions by Grace Delaar, Sofia Dexter, Tyler Glenn, Gabriela Hernandez, Annabel Lawton, Noel Lobley, M. Jordan Love, Karen E. Milbourne, Ainsley McGowan, Leila Morrell, Margot Sovocool, Audrey Yin, Maria Villaneuva. And special thanks to: Kelly Accetta, Solange Ashby, Barbara Aston, Yekaterina Barbash, Michael Chavez, Emily Chen, Sara Cole, John Darnell, Denise Doxey, Howard Epstein, Maria Gatto, Shomarka Keita, Morag Kersel, Peter Lukehart, Marc Maillot, Helen McDonald, Laura Mellusi, Steven Nelson, Brooke Norton, Diana Patch, Jessica Powers, Will Rourk, Grace Saunders, Jeanette Saunders, Sarah Schellinger, Stuart Tyson Smith, Tyler Jo Smith, Meg Swaney, Davide Tanasi, Melissa Thompson, Elizabeth Turner, Jill Waller, Linda Waterfield, Jennifer Wegner.
This exhibition is generously supported by The Volunteer Board at The Fralin Museum of Art and Crozier Fine Arts, Logistics Partner. Exhibition co-sponsors include UVA’s Center for Global Inquiry and Innovation Global Programs of Distinction Grants; the Arts Endowment through UVA Arts, the Office of the Provost, and the Vice Provost for the Arts; the UVA Arts Council: Enriching the Arts on Grounds; a UVA Arts Faculty Research Grant; and a Page-Barbour Award through the Department of Religious Studies. Additional support for this exhibition comes from the Angle Exhibition Fund. The Fralin Museum of Art’s educational programming is generously sponsored by The Joseph and Robert Cornell Memorial Foundation. We also wish to thank our in-kind donors: WTJU 91.1 FM and Ivy Publications LLC’s Charlottesville Welcome Book.