Events

Public Lectures, Visiting Artists & Scholars, Majors Events

Upcoming Events

The Stan Winston Arts Festival of the Moving Creature at UVA

Friday, April 26, 2024

7 pm | UVA Arts Grounds

Get ready to embark on a magical journey at The Stan Winston and Steven Warner Festival of the Moving Creature, taking place on April 26th at 7PM!

Join the menagerie of mythical entourages of two giant creatures roaming UVA Arts Grounds. Designed, built, and puppeteered by UVA’s Art of the Moving Creature class, the creatures will come to life and parade through central grounds, and we want you get up close and personal to dance the night away with this captivating pair.

Creatures first roamed Grounds in 2013, and this year we honor the festival’s namesakes Stan Winston, UVA alumnus and Hollywood creature maker and Steven Warner, beloved UVA Drama Technical Director and co-founder of the original festival.

Come in costumes!

Keep an eye out for upcoming student and community workshops! Don't miss this unforgettable night of wonder and excitement at The SW2 Festival of the Moving Creature.

DUE: Distinguished Major in Art History Application

Friday, April 26, 2024

5 pm | Online

The Department's Distinguished Majors Program (DMP) is an opportunity for qualified undergraduates to undertake substantial, independent research projects while working closely with department faculty. Participants are prepared for advanced independent research and analysis by a required seminar in art historical theory, methods, and historiography. The program culminates in the submission of a DMP capstone project, a significant piece of original research, such as a text with a length of about fifty pages, a digital humanities project, an exhibition project, etc.. Students who successfully complete the program receive departmental honors, with a degree of Distinction, High Distinction, or Highest Distinction in art history.

Students who wish to apply for the Department's Distinguished Major Program should complete the application form and use the requirement guidelines for the submission of supporting materials. Complete applications should be emailed to the DMP Director, Giulia Paoletti

The Little Museum of Art: Student Show

Friday, April 26, 2024

5 pm | I front of the Fralin Museum of Art

It's the last Final Friday of the year at The Fralin, so come on out!

There will be...

Live music performed by the University Records student group Almost Nothing!

Art Scavenger Hunt in the museum!

Student Docent Spotlight Talks!

The Little Museum of Art reopens with a new exhibition of student work!

Sombrero’s food truck will also be onsite with FREE food truck vouchers to the first 150 guests! SUPPLIES ARE LIMITED. Cash sales will be available.

This program is generously supported, in part, by the UVA Parents Program. The Little Museum of Art was sponsored by The Volunteer Board at The Fralin Museum of Art.

 

 

Thesis Exhibitions: 4th Year Students and Aunspaugh Fellows

Monday, April 29, 2024

Ruffin Hall | 179 Culbreth Rd.

Please join the Department of Art and the rest of our community in congratulating our graduating students and 5th Year Aunspaugh Fellows on the work they have done and the exhibitions we now get to enjoy on all three floors of Ruffin Hall and in Ruffin Gallery. 

Thesis shows in Studio Art are the culmination of four academic years of undergraduate liberal arts at UVA. We, as faculty & staff, are incredibly proud of the hard work all of our students put into their creative practices and exhibitions. Students are involved with the production and installation of these exhibitions and gain valuable experience in the handling and hanging of important works of all types, as well as the work of hosting their own receptions. We all come together as a department during these Friday student exhibition receptions to recognize the student’s successful completion of the major.

Full Press Release

Week 4

April 29 - May 3

Ruffin Gallery: Lucia Mayor-Mora, KJ Vaughan, Tori White

3rd Floor: Garrett Stebbins

2nd Floor: Hadley Hoffman1st Floor: Autumn Jefferson, Jessie Mai, Mix Rudolph

1st Floor Media Galleries: Zoe Farmer, Aria Liu

1st Floor Performance Room: Jay Pendarvis

Thesis Exhibitions: 4th Year Students and Aunspaugh Fellows

Monday, May 6, 2024

Ruffin Hall | 179 Culbreth Rd.

Please join the Department of Art and the rest of our community in congratulating our graduating students and 5th Year Aunspaugh Fellows on the work they have done and the exhibitions we now get to enjoy on all three floors of Ruffin Hall and in Ruffin Gallery. 

Thesis shows in Studio Art are the culmination of four academic years of undergraduate liberal arts at UVA. We, as faculty & staff, are incredibly proud of the hard work all of our students put into their creative practices and exhibitions. Students are involved with the production and installation of these exhibitions and gain valuable experience in the handling and hanging of important works of all types, as well as the work of hosting their own receptions. We all come together as a department during these Friday student exhibition receptions to recognize the student’s successful completion of the major.

Full Press Release

Week 5

May 6 - May 10

1st Floor Media Gallery: Anne Kickert

Dorothy Wong: Udayana Statues Travelling

Monday, May 6, 2024

5:30 pm PST | McMurty 370, Stanford University

Global Approaches to Sacred Space Workshop Series 2023-2024 co-sponsored by the Ho Center for Buddhist Studies and the Department of Religious Studies, Stanford University 

According to legend, the Buddha ascended to the Heaven of Thirty-Three to preach to the gods and to his deceased mother, Queen Māyā, who had been reborn there. Missing the Buddha’s presence on earth, King Udayana commissioned a statue made in his likeness. Centuries later, sculptures inscribed as “Udayana statues” (Youtian wang xiang 優填王像) appeared; copies were produced and worshipped as First Images. Udayana statues belong to a special category of Buddhist images attributed with special powers, known as ruixiang 瑞像 (auspicious images) in Chinese. They can move about, levitate, and can refuse to be moved. As emblems of Buddhist kingship and institutional orthodoxy, the statue and its copies were much sought after and were carried from place to place, displayed in ritual processions, and ensconced in palaces or monasteries for worship. Legends of Udayana statues are recorded in a variety of literary sources, from canonical Buddhist texts to biographies of monks, travelogues of pilgrim-monks, miraculous tales, and historical chronicles. In addition to sculptures, narratives of Udayana statues are also depicted in mural paintings, woodblock prints, and scroll paintings. Using both literary and visual evidence, this paper examines the geography traversed and the ritual and sacred spaces occupied by these extraordinary statues. 

Study O'Keeffe with Beth Turner

Saturday, May 11, 2024

Lifelong learning program in Santa Fe, NM May 11-15, 2024

Join the University of Virginia’s Lifetime Learning program May 11-15, 2024, as we host distinguished Professors Elizabeth Turner, Art History, and Stephen B. Cushman, Department of English, on an inspiring learning experience of Georgia O’Keeffe in New Mexico. Delve into O’Keeffe’s creative process and see how the many facets of New Mexico impacted her life and her artistic work. 

This 4-day seminar will take place in beautiful Santa Fe, the City of Enchantment—a city unique in the nation for its combination of a long and fascinating history, a layered culture from ancient to modern, and a culinary cornucopia of indigenous food styles. On day trips to Taos and O’Keeffe’s home and studio in Abiquiu, experience the curvaceous adobe-style architecture and undulating landforms that create the chiaroscuro light and shadow so adored by O’Keeffe. 

You will enjoy private visits to noteworthy O’Keeffe sites, delectable New Mexican cuisine, and lectures by our esteemed faculty, who will provide the intellectual and historical framework for understanding the complexity of O’Keeffe’s sense of place and artistic genius. 

DEADLINE: Richard Guy Wilson Prize for Excellence

Friday, May 24, 2024

5 pm | Online

We invite UVA students from any school to participate in this year's RGW Prize call for submissions.  Accepted submissions include, but are not limited to, writing, design, poetry, painting, legal/business briefs, scholarly/research essays, reports, music, film and photography.  Submissions should be a study of building, landscape and/or place. 

The prize is a tribute to Professor Emeritus Richard Guy Wilson, who for 40 years, had a major impact on countless students through his knowledge, teaching, mentorship - and wit - and his remarkable contributions to the Department of Architectural History at UVA. 

Submission criteria, details and instructions (along with FAQs) can be found at the link below.  Submissions are received through online upload (also accessible through the link below). 

Structures

Saturday, June 1, 2024

10am - 5pm | Fralin Museum of Art

August 28, 2021 - June 1, 2024

Fralin Museum of Art

Admission is always FREE

This dynamic selection of 20th- and 21st-century artworks from the Museum’s permanent collection explores the ways that art can speak to or question the formal, physical, environmental, social, and institutional structures of our world. Here you will encounter the work of Robert Reed, whose abstract paintings and collages contain coded references to his life and memories. The depopulated architectural paintings of Emilio Sánchez invite us to contemplate our built environment. DJ and visual artist Rozeal addresses racism and the complexities of cultural appropriation and globalization in our current times. Alberto Rey encourages viewers to consider their own ecological surroundings from which we are often disconnected. These connections to regional resources and materials are also seen in the work of Maria and Julian Martinez, who innovated upon ancient forms of pottery in ways that still inspire Pueblo artists. Oftentimes, multiple structures are present in the same artwork, providing pathways and opportunities for interpretation and inquiry. From paintings to collages, from pottery to jewelry, the artworks in this exhibition inspire conversations about how our world is structured. This exhibition is curated by Laura Minton, Curator of Exhibitions; Adriana Greci Green,Curator of Indigenous Arts of the Americas; Emily Lazaro, Docent Coordinator; and Rebekah Boggs, former Tour Coordinator and Education Assistant.

Emilio Sanchez, American, born Cuba, 1921–1999. Untitled (Looking West from My Studio), ca. 1985. Oil on canvas, 14 x 14 inches. Gift of the Emilio Sanchez Foundation, 2011.3.2. © Emilio Sanchez Foundation

CLOSING: Waŋupini: Clouds Of Remembrance And Return

Sunday, July 7, 2024

Upper West Oval Room of the Rotunda at the University of Virginia

Waŋupini (clouds) is the same story as my father taught me about the sunset.

—Bulthirrirri Wunuŋmurra

Curated by: Douglas Fordham, Professor and Chair of the Department of Art, University of Virginia. 

Clouds drift in subtly modified patterns in these artworks by Nawurapu Wunuŋmurra and  Bulthirrirri Wunuŋmurra, both Yolŋu artists from Arnhem Land at the top end of Australia’s Northern Territory. The thunderheads are associated with the beginning of the monsoonal wet season and the first sighting of perahu (boats) from Indonesia on the horizon. Fishermen based in the port of Makassar in Sulawesi, Indonesia, visited the north coast of Australia every year starting in late December or early January to gather trepang (sea cucumber) and engage in trade. They departed on the winds associated with bulunu, or the southeast cloud formations that herald the dry season.

 

CLOSING: Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala

Sunday, July 14, 2024

The Fralin Museum of Art at the University of Virginia

Curated By: Djambawa Marawili, W. Wanambi, Yinimala Gumana, Wäka Munuŋgurr, Henry Skerritt and Kade McDonald. Organized by the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in partnership with the Buku-Larrŋgay Mulka Centre in Australia.

The Fralin Museum of Art at the University of Virginia showcases Indigenous art in Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala and an exhibition of slit drums of New Guinea.

One of the most significant touring exhibitions of Aboriginal Australian art ever staged returns to the city where it was first envisioned. The Fralin Museum of Art at the University of Virginia presents “Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala” from Feb. 3-July 14, 2024. The exhibition features more than 50 masterpieces of ochre painting on eucalyptus bark, many of which have never been on view outside of Australia.

 

 

 

 

Amy Chan's "Double Happiness" in Alderman closes

Saturday, May 31, 2025

Alderman Library 2nd floor lobby

To create the piece "Double Happiness", Amy Chan asked the UVA Asian / Pacific Islander / South Asian American community to submit greetings, proverbs, and colloquial sayings that are important to their cultural identity. Text left to right reads:

Ganbare, Japanese, to persevere
Double Happiness, Chinese, joy and unity
Hwaiting, Korean, you got this!
Padayon, Visayan dialect / Philippines, to carry on
Kya baat hai, Hindi, how amazing!
All places are ours, and all people are our kin, Tamil
Andamu, Telugu, inner beauty
Sudah makan, Malaysian, have you eaten?